GUILLERMO MIRANDA

For me, the visual tension lies in shaking up the codes a little, not just with colors or lighting, but also with poses or expressions that alter the overall atmosphere of the photo. I love it when elements don't fit together perfectly: a shadow that falls in a strange way, an unexpected pose in a specific setting, or an expression that seems slightly out of place. It's these little "imperfect" moments that catch the eye, that make the photo intriguing and alive - something that makes you want to stop and look again.

Honestly, light is everything to me. It's my main vector of emotion. It's not simply a question of illuminating a subject to make it visible, but rather of conveying a feeling - softness, strength, intimacy. The way light caresses a skin or brings out a detail in a garment can completely transform the mood of an image. I like to use soft light, almost as if it were natural, to create an enveloping, sincere atmosphere.

For me, a strong silhouette sets the tone: it guides the eye, it structures the image. But what's most important to me is the story behind the photo. In fashion, I don't just show off the clothes - I try to express what they're saying. The posture, the energy of the body, the shape created by the model: all this contributes to the narrative. I always try to find a balance where the design stands out, but remains linked to an emotion or an authentic moment. It's this link that makes the image memorable.

I want my photos to make an impression, not just to be scrolled through, but to be felt. I'm drawn to subtle emotions: a slight tension, a contained energy, or even a sense of imbalance. If someone stops for a second because they've felt something - even if they can't explain it - then I've achieved my goal. I'm not looking for perfection, but rather an atmosphere that stays in the memory.